Workshops for 2010

CorkStop Studios is planning new workshops for 2010. We are considering workshops in the following areas: Printing (digital, encaustic print, solar etching), Photography (how to take professional grade photos of your artwork), Encaustic, Abstract Collage.

If you have any suggestions, or would like to submit interest in a particular area of study, please contact us at info@corkstopstudios.com.

Once we have completed our planning, we will post the 2010 schedule here and on our website. 

"The History of Roots" beds down.

Carol Paquet's "The History of Roots" was installed in a private home in Edna Valley, Central coast, California - starting 2009 off on a good note. The artwork was created initially on canvas with oil paint (part of the Penumbra series) and then overlaid with shadows to complete the vision. The final piece is an archival print on paper, 56" x 33" and framed in a solid steel frame with museum quality glass. The piece is installed at an adjunct to the grand entrance, at the end of a wide corridor flanked by floor to ceiling windows overlooking Edna valley.

Klaus and Sabine Strobel are now the proud owners of three of Paquet's works.

How do you get from Fender Bender to Fine Art?

Here is how Scott McMillin puts it:

I have been cutting up auto body parts that I get from body shops. This usually involves going to a body shop, explaining to whomever is in charge that I am an artist looking for car parts for an art project. Then, depending on the look on their face, I may whip out a picture or two to further illustrate what I am doing, followed by a quick, "no, I'm not the typical scrap metal scavenger you normally see".
On a side note, you know those guys you see going from trash can to trash can pushing a shopping cart full of aluminum cans that they turn in to a recycling place so they can get a few bucks to buy another 40 or some Boonsfarm. Well, there is slightly higher breed of these guys who drive around in beat up trucks going from body shop to body shop collecting any kind of scrap metal they can find... And they get up early, real early. So not only do I have to convince the owner of the body shop to part ways with their next-to-worthless scrap (they get about $200 per ton for it) I also have to beat Sanford and Son to the punch!
So anyway, after I procure my art materials, i.e. wrecked body parts, I bring them back to my studio and cut the parts, with a torch, into two inch or four inch squares. Then I wash each part and clear coat them and secure them to a board.
And that's how you get from fender bender to fine art! Sounds easy, huh!?

Scott McMillin's work will be on show at CorkStop Studios on Friday May 9th,2008